Quality is the first norm for art, but its final norm is love and truth, the enriching of human life, the deepening of our vision.


Skeen, Julia - VM - Chris Mann

Julia Skeen: Cornucopia Biblica

I am come that they might have life, and that they
might have it more abundantly. John 10:10

Cornucopia Biblica and the Tabernacle of the Fridge 

by Chris Mann 

 For the Lord thy God bringeth thee into a good land,
a land of brooks of water, of fountains and depths
that spring out of the valleys and hills;
a land of wheat, and barley,
and vines, and fig trees, and pomegranates;
a land of oil olive, and honey;
a land where thou shalt eat bread without scarceness.

Deuteronomy 8:7-9

Julia Skeen’s visionary paintings transform three widespread cognitive disorders of urban homo sapiens: fudging, gulping and forgetting. Fudging is looking without seeing. Gulping is careless consumption devoid of grace. Forgetting is dislocating our being from the biosphere which sustains all life on the planet. These three habits of thought shape much of the behaviour that destroys the natural environment. We look at a packet of soya in the supermarket and do not see the miles of rain forest cut down to make a field. We gulp down a hamburger at a takeaway and rush back to work, anxious consumers whose creed becomes I shop therefore I am. We switch on a light at home and forget the acid fumes of the power-station pouring into the sky. 

Comfort me with applesThe Song of Solomon 2:5 

The kitchen is a site of such behaviour. The oven, hob, electric plugs, the light-bulbs, geyser, heater, the taps and fridge are brilliant triumphs of a tool-making species. Used by billions of people, they become weapons of mass destruction. They contribute to what the monk and ecologist Thomas Berry called the biocide of our planet. In evolutionary time the neo-cortex of our species is astonishingly recent. Homo sapiens can adapt. Art reaches into the imagination where that adaptation has to start. 

Julia Skeen’s paintings do that. She enlarges images of grapes, olives, wheat and pomegranates so that we see them much more vividly than before. She links them to poetic passages from the King James’ Bible, thus giving them the resonance of a sacred tradition. 

And eat ye every one of his vine, and every one of his fig treeIsaiah 36:16 

Open the fridge at home after absorbing these paintings. I find it is difficult not to see the fruits and vegetables differently. The power of these paintings is not only in their technical accomplishment but in the way they transform our vision of what is before our eyes each day. An artist cannot do much more than that. 

We remember the fish, which we did eat in Egypt freely; the cucumbers, and
the melons, and the leeks, and the onions, and the garlick. 
Numbers 11:5

The fridge is a rectangular metal cabinet which stores an astonishing array of imaginatively packaged commodities. These paintings prompt us to see the fridge and its contents in a new way, as a tabernacle in the wilderness of the city. Julia Skeen’s works move us to say grace before we eat, challenge our common habits of thought and stir us to adapt our industrial culture to the biosphere. 


Julia Skeen, Take, Eat, oil on canvas 1050 x 950 mm. 

Julia Skeen, Apples, oil on canvas 610 x 915 mm. 

Julia Skeen: Fig Tree and Fruit, oil on canvas 610 x 915 mm. 

Julia Skeen: Melons, oil on canvas 610 x 915 mm. 

Julia Skeen is a well established South African artist who works in a wide variety of genres ranging from oils to mixed media and large scale graphic art. The paintings displayed here come from an exhibition that is presently on tour in South Africa and has to date been seen in five sacred Christian sites in different parts of the country. 

Chris Mann is one of South Africa’s best known poets. He and his wife Julia Skeen work together on numerous joint projects. For examples of faith poems. Please go to 

ArtWay Visual Meditation September 15, 2013