Betty Spackman is a Canadian multimedia installation artist and painter with a background in theatre, animation, performance art and video art. She has exhibited internationally and taught studio art at various universities and community arts programs for over 20 years. She has written, illustrated and published art related books and has collaborated, taught and spoken at conferences and galleries in Canada, Europe, the US and Mexico. A Profound Weakness: Christians and Kitsch, Spackman’s 500p illustrated book published in 2005 by Piquant Editions, UK is a personal journal and commentary about images of faith in popular culture. Spackman is also a mentor and community arts educator and has developed The Open Studio Program, an alternative community education model for emerging artists used in Yellowknife, NWT, Medicine Hat, AB, and Langley, BC. Her work has focused on cultural objects and the stories connected to them with a more recent focus on issues of animal/human relations. FOUND WANTING, a Multimedia Installation Regarding Grief and Gratitude (2010-2014) was a 3000 square feet installation project built around a large collection of animal bones and addressed issues of the killing and commodification of animals. Her most recent book and installation project is A Creature Chronicle. Considering Creation: Faith and Fable, Fact and Fiction (2019/2020). https://www.artlyst.com/features/betty-spackman-posthumanism-debates-interview-revd-jonathan-evens/